There was a dark side to Andy Warhol, whose colorful images of famous people and everyday objects made him one of the most celebrated artists of the 20th century. Even before a woman shot and nearly killed him at his studio in 1968, Warhol was fascinated by violent death. It motivated him to create some of his most disturbing works, a number of which will be presented in a three-month exhibition of more than 100 of his prints and paintings at the Grand Rapids Art Museum in Michigan.
“People think of Warhol as the great Pop artist — Campbell‘s soup, Marilyn Monroe — but Warhol also, even from his very earliest years, did have a fascination with death and destruction, and the show will also reflect some of that,” said Celeste Adams, the museum‘s director. The exhibition “Rapid Exposure: Warhol in Series” opened March 14 and is expected to draw many first-time visitors to the museum.
Warhol, who died in 1987 at age 58 following complications from gall bladder surgery, became a successful commercial artist in New York City during the 1950s before achieving worldwide fame in the 1960s. His platinum wigs and ever-present sunglasses made him an instantly recognizable. His subjects generally came from photographs found in newspapers or other mass media. He often repeated the same images in variations of color and changes in form, then silkscreened them onto paper or canvas before completing the prints with additional color inks. Visitors will see two or more prints or paintings of each subject grouped together. These portfolios will include famous images of Monroe, Jacqueline Kennedy Onassis, Chinese leader Mao Zedong and the soup cans. There also will be other, more ominous-sounding works on display, including Electric Chair, Skulls and Flash— November 22, 1963, a portfolio of prints recalling the assassination of President Kennedy.
Fascination with the dark
These and other similarly themed Warhol works have received increased attention in recent years, Adams said. Warhol‘s dabbling in death appears to be in direct contrast with the vivid, lively works for which he is best known, said David Lubin, an art professor at Wake Forest University. “Despite the stereotype of Andy Warhol as an art-world butterfly who reveled in pop imagery, bold colors and the ubiquitous landscape of American commercial culture, he harbored deep fears and insecurities that led him to an abiding fascination with the dark, violent underbelly of modern life — car wrecks, plane crashes, drug addicts, the electric chair, suicidal movie stars and the beautiful widow of a murdered president,” Lubin said.
The artist is more relevant today than he was in his own time, as new generations discover and embrace Warhol‘s work. “His star paintings define celebrity as part of the cultural world we live in and relate to more than the Mona Lisa,” said Elayne Rapping, professor of American studies at the University at Buffalo.
