For Frank Lloyd Wright, the slow rise of the spiral ramp at the Solomon R. Guggenheim Museum allowed paintings to be displayed as if on an artist's easel. When the museum opened 50 years ago, the groundbreaking design embodied the architect's guiding ethos that form and function are indistinguishable. That philosophy was expressed in projects large and small but perhaps best realized in his then-controversial, now-revered design for the art museum on Manhattan's Upper East Side.
This spring, the museum is paying homage to its visionary 20thcentury architect with a special exhibition titled Frank Lloyd Wright: From Within Outward. Co-curated jointly with the Frank Lloyd Wright Foundation in Scottsdale, Ariz., the show celebrates Wright's prolific output, realized and unrealized.
Like a seashell The museum with its cylindrical form was very controversial as it was going up "because everyone was so used to the four-wall classical space," Margo Stipe, curator and registrar of collections for the Frank Lloyd Wright Foundation Archives, said. She compared it to a seashell, where "the continuing spiral ramp is all of a piece." "You can look in so many different directions. You can interact with both the artwork you're immediately in front of as well as all of the people. It becomes a very social gathering space as well," Stipe said.
The masonry structure - considered Wright's most important late career design - is the largest object in the show. The exhibit begins with his 1889 home and studio in Oak Park, Ill., continues up the ramps with designs for Baghdad that were never built and ends with the Guggenheim. The exhibition features 64 projects and 201 original Wright drawings. Digital animations and oral histories offer perspective on Wright's principles of organic architecture and continued relevance to contemporary design. Three-dimensional scale models explore the functional spaces of many projects in relation to their exteriors.
The exhibition comes a few years after a major renovation of the Guggenheim. The museum was 16 years in the making, primarily because of design modifications, and opened six months after Wright's death, on Oct. 21, 1959. Wright died on April 9, 1959, at the age of 91 after completing more than 1,100 designs, including textiles and windows. Nearly 500 of his buildings were made and just under 400 exist today. The show runs May 15 through Aug. 23 and will travel to the Guggenheim Bilbao in Spain.
